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dc.rights.licensecc by-nc-nd 4.0ES
dc.creatorFrade Pandolfi, Virginia
dc.date.accessioned2020-04-03T14:49:57Z
dc.date.available2020-04-03T14:49:57Z
dc.date.issued2014
dc.date.submitted2020-04-02
dc.identifier.isbnISSN: 0817-458XES
dc.identifier.urihttp://repositorio.cfe.edu.uy/handle/123456789/653
dc.description.abstractAn apocalyptic view present in the dystopian novel The Hunger Games (2008) can be broadly analysed through Baudrillard's concept of "simulation" and "simulacra." This article analyses how the mass media is represented in this young-adult dystopian fiction as the new almighty God that can create, but also destroy, real and hyperreal scenarios. The article particularly focuses on the concept of "arena" (present in the trilogy) as a hyperreal territory that acts as a panopticon that ends up reversing its original purpose.ES
dc.formatpdfES
dc.format.extentpp. 78-86ES
dc.languageengES
dc.publisherJames Cook University, Department of Humanities, School of Arts and Social SciencesES
dc.relation.ispartofL i N Q (Literature in North Queensland)ES
dc.rightsopenAccessES
dc.sourceLiNQ; Volumen 41 (2014)ES
dc.subjectAnálisis literarioES
dc.subjectMedios de comunicación de masasES
dc.titleThe Hunger Games and the Game of Silences: The Apocalypse within the ApocalypseEN
dc.typeinfo:eu-repo/semantics/articleES
dcterms.accrualPeriodicityanualES
dc.creator.filiacionCFEES
dc.subject.keywordsposmodernidadES
dc.type.versionpublishedES


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